The work of Between the Dog and the Wolf came to me, as so many things in photography do, as a simple, fleeting observation that entered my consciousness and, in that flash of recognition, expanded into what seemed like a real idea. Discovering that swimming pools (the dog) at the edge of the sea (the wolf) could be a subject was a true awakening. Then, learning that the French have a name for the blue hour, “between the dog and the wolf”, immediately planted in my mind the dual potential of that time of day when the fading evening light makes things difficult to see, and simple, innocent things sometimes acquire traces of another spirit or personality. This subtle shift from the known to the unknown, from the tame to the wild, became the underlying idea from which these works emerged.